Interview with Courtney Celeste Spears
Ahead of the premiere of her exciting, new choreographic work and performance at Iconique, Bahamas, 2025, we interviewed Emmy nominee, Courtney Celeste Spears. From performing for two sitting US Presidents to what inspires her, this interview is a must read.
Courtney Celeste Spears, of Bahamian descent, is a professional dancer and dance educator with the world renowned Alvin Ailey American Dance Theatre and has performed in over 15 countries including France, Germany, Spain, Italy, Greece, Switzerland, and The Netherlands.
Courtney has performed for two sitting US presidents, for President Barack Obama at the G7 summit in Germany in 2015 and for President Joe Biden & First Lady Dr. Jill Biden at the 2023 Governors Association at The White House.
Her work has been featured in publications such as Vogue, Harper’s BAZAAR, The New York Times, Shondaland, and Vanity Fair and she was a leading figure in The Black Iris Project's "A Mother's Rite" choreographed by artistic director Jeremy McQueen, which was nominated for a New York Emmy.
Ahead of our second Iconique Gala taking place in Nassau, Bahamas, we caught up with award winning, Courtney to discover more about the new and exciting piece she is creating to première on 7 & 8 March 2025.
She shares what impact working with Jazz composer Giveton Gelin has had upon her choreography, to what inspires her most about returning to the stage to dance. We cannot wait to watch Courtney’s Dicky Buckle funded creation in March.
Photo credit: NYC Dance Project
Please tell us what new work you have been creating for Covent Garden Dance Company.
This new work highlights my love of modern dance with jazz music. The full story line is being developed now, but its a solo followed by a duet. It’s set to an original score by Giveton Gelin, Bahamian jazz artist and composer. With costumes designed by Bahamian designer Phylicia Ellis and danced with Bahamian dancer Vernal Adderley.
How did the piece came about?
I was first introduced to Covent Garden Dance, Director, Matt Brady, via word of mouth on the island. In his incredible work with dance, people suggested he connect with me! What’s funny is that Matt thought that when he was coming to meet a “ballet teacher, who’s retired from Alvin Ailey, and lived in New York City for over a decade,” and he was coming to meet an older lady whose dance career was way behind them. As he described it, “in walks, this young beautiful lady,” who he immediately asks “why aren’t you performing?!” I laughed and told him I’d left the stage and was absolutely content in my role as an educator. Well, if you know Matt, you know that his kind spirit and bubbly personality is persuasive and by the end, I was convinced.
What inspired you to create this piece?
I wanted to highlight Bahamian creatives in a way that allows us to show our connection to spirit and soul. This piece was heavily inspired by the music created by Giveton Gelin and I wanted to allow myself the freedom to be inspired by the art around me and go from there.
What has been your favourite moment whilst preparing this piece?
Honestly, rehearsing with Vernal has been such a treat. It’s been so priceless to be in the studio again getting to work. Vernal is an exceptional dancer and an even more exceptional partner! He’s so strong, so caring, and so attentive. Moving like this again has been a gift.
What are you looking forward to most about performing this piece in March 2025?
I’m excited to dance with all that I’ve gained over the last year. I left Alvin Ailey about a year and a half ago and have evolved so much since then. I feel like a different person, having gained so much in my time as a full-time educator. I always believed that who you are as a person and your life experiences directly impact the artist you are on stage. I’m excited to return as who I am now at this season of life.
When you’re dancing this piece how does it make you feel?
Full. Empowered. blessed.
Please tell us about the piece of music you are using.
Giveton Gelin and I came together and I described some imagery to get him started. This piece of music is a beautiful blend of his love of jazz with my understanding of modern dance. It’s absolutely sensational!
How important are charities like the Dicky Buckle Fund for the future of dance?
Funds like these support artists and allow us to do what we love… Create. It’s imperative to the forward momentum of our industry. Their importance of the Dicky Buckle Fund can’t be put into words!
Where will you be taking this piece next?
Hopefully around the world!
You will be performing alongside some wonderful artists from all around the world this year, who are you most looking forward to watching perform?
All of them! Live art is truly life changing and especially to have that here in the Bahamas. It’s so inspiring to watch.
What do you like most about performing in ballet galas such as Iconique?
It allows for so much diversity in what you’re seeing! Going to the theatre to see one ballet company is truly spectacular, but when you get to see multiple dancers from different backgrounds in one setting, it’s a different experience. And it has the ability to bring dance to places that may not always have access!
Can you share three things people don’t know about you?
I love school and academics. I went to Harvard Business School’s “Crossover Into Business” Programme for professional athletes and graduated Summa Cum Laude from Fordham University with a degree in Dance & Communications.
I’ve performed for two sitting US presidents, President Barack Obama & President Joe Biden, and had the pleasure of meeting President Joe Biden in the Oval Office after performing at The White House.
I recently got engaged! My fiancé is incredible and he is the most supportive of my dreams. We’re getting married in 2025.
It’s our 15th anniversary at Hatch House…
It’s our 15th anniversary of Ballet Under The Stars performances at Hatch House. Find out where it all began and what you can expect from Hatch House 2024.
Mara Galeazzi & Gabriele Corrado - Macmillan’s Balcony pas de deux, Romeo & Juliet at Hatch House in 2019.
15 years ago, a quick conversation took place in the 17th Century walled Dutch garden at Hatch House. It was between The Covent Garden Dance Company director Matt Brady and the owner of the gardens, Lady Holly Rumbold. The latter was being asked if she would mind if the former put a ballet on in her garden. The response was an emphatic:
‘Oh my gawd yes!’.
Three months later, the first show was presented to a bijou audience of 120 guests who had been rapidly contacted to try to ensure that the eccentric idea of presenting a ballet in a garden could be realised before the summer passed.
15 years on, Ballet Under The Stars has gone from strength to strength. The walled garden Harlequin Stage has played host to the biggest names in ballet and dance such as Carlos Acosta, Lauren Cuthbertson, Vadim Muntagirov, Valentine Colasante, Myriam Oud Brahm, Mara Galeazzi and too many more to mention in this single blog.
Lauren Cuthbertson & Matthew Golding - Christopher Wheeldon’s, After the Rain:
Hatch House 2018.
Photo credit - Alice Pennefather
For those of you who have not been, the 430 seat dinner theatre is created within the two tiered walled garden to form the dinner theatre. The walled garden is completely covered with a giant bespoke roof for the run of the 4 shows. Guests arrive generally around 5:30pm to enjoy a drink from the newly created Café Folle Speak Easy cocktail bar and a walk in the sunshine around the gardens. At 7pm everyone is seated at tables with their party to enjoy their first course of gourmet dining ahead of the first half hour section of performance. Each half hour of performance takes place after each course of dining. Each performance section has four short works within it with each work lasting around 5-8 mins.
This year, to celebrate the 15-year milestone, the company has in a way in part returned to their beginnings by inviting the stars of the future to perform alongside some of the more established names. This year we will be treated to performances by Royal Ballet rising super stars Viola Pantuso and Marco Masciari and they will be joined by newly appointed Birmingham Royal Ballet Principal Beatrice Palma and Max Maslan.
Viola Pantuso & Marco Masciari
Photo credit: @dancersdiary
The cast list does not end there; with performances by internationally renowned names such as Xander Parish and Ksenia Ovsyanick - who will be accompanied by Virtuoso Cellist Arne Christian Pelz - Hatch House 2024 makes this 15 year celebration a must see. The programme includes works from the greatest choreographers from around the world: Balanchine, Ashton, Petipa and many more.
Ksenia Ovsyanick & Timothy Dutson, Hatch House, 2022. Photo credit: Alice Pennefather
Hatch House 2024 is a feast for the senses for anyone and everyone, especially if you have never been to see ballet or dance. The combination of the performance and three course dining, in the deeply romantic walled garden is truly something unique and brilliant. If you can get a ticket….GET A TICKET!
Performance dates are: 25th/26th/27th July 2025
To enquire about offers, tables, menu and the programme, get in touch via email events@coventgardendance.com or phone: 01749 81 3313
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Ballet in the Bahamas
Fresh from the shores of the stunningly beautiful Nassau Bay, Bahamas, our Director, Matt Brady, shares his thoughts on our first Covent Garden Dance Company performances in the Bahamas.
From the shores of the stunningly beautiful Nassau Bay, Bahamas, Director Matt Brady, shares his thoughts on the first Covent Garden Dance Company performances in the Bahamas.
Xander Parish and Mackenzie Brown perform at Iconique 2024
A Covent Garden Dance dream realised
“It would usually take a year (or more) to develop a new territory or venue as it is complex and often convoluted process. However, after getting so close to launching the production in the Bahamas in February 2019, only to be thwarted by Covid and the pandemic, when the opportunity presented itself again, in the shape of the amazing Anita Wheeler and The Old Fort Bay Club, we decided we the time was now.
In four months and with a huge team effort from both sides of the pond, we managed to launch the inaugural production of 'Iconique' in The Bahamas and what an Iconique cast we collated.”
A Bahamian welcome
“It sounds obvious but one of the key elements for any production is a publicity, as someone once said to me;
‘Doing a production without advertising is like winking at someone in the dark. You know what you are doing but nobody else does.’
We had the great fortune of being introduced to The Tribune Newspaper, the leading national newspaper in The Bahamas, who quickly became our Iconique Media Partner. Their support and advice were invaluable throughout the production and gave us a solid and highly respected channel to convey our message to the incredible nation of The Bahamas.
The show was presented over two performances with the first on Valentine’s eve (Wednesday the 14th of February) and finale on Friday the 17th of February. With the challenges of schools’ half term falling on the week of the production (when half the island leaves for Europe / the mountains), we needed to work twice as hard to ensure we got the message out far and wide. We were told on many occasions, usually over a drink and usually by people who were yet to book, that;
"Everyone books last minute on the island. Don't worry."
It was hard not to, but they were right. Ten days before the opening night…. the blue touch paper was lit!”
Covent Garden Dance Co. Partnerships
“With the official launch date set in mid-November, it was important to ensure we had the fundamentals and key elements in place (which changed; twice). We were extraordinarily lucky to have such an incredible venue partner in the Old Fort Bay Club, and without the relentless driving force and guidance of Anita, Jacob Le Blanc and team, there is no doubt in my mind we would not have succeeded in overcoming all the challenges that we faced in bringing the production to fruition.
There is a list as long as my arm of supporters who should be acknowledged for their role in making this production such a success. However, two I would like to highlight are firstly our ongoing partner, Harlequin Dance Floors, who have been incredible in getting a world class floor out to our stage once again. Without this key element and their unique expertise, we would simply not be able to present such a world class production with some of the greatest and most renowned dancers from the most revered companies.
The second, is our Event and Staging Partner, Wildflowers, who did not stop with their support and re-assurances. With every new territory comes unexpected challenges and without Wildflowers’ support, which started from the first minute we sat down and explained the dream, to the day of departure post show, we would not have had the success we had.
Avis and their MD, Cindy Newell, were also vital to the logistical success of our Bahamian adventure and we look forward to working with them in the future.”
Ballet on the shore
“When the stage was set and with the dancers warming up at sunset on the beach just before dress rehearsal, I looked up and saw the 'Cheshire Cat Smile' moon. Somehow I knew it was a sign we were going to be ok and that we maybe the angels were watching over us. I was not wrong.
We were just shy of being sold out on the opening night, and not far behind that on the Friday night which ensured that we had the all important atmosphere to make both nights, nights to remember.”
An ‘Iconique’ cast of ballet dancers
“The Iconique programme was created to ensure that the performances would not only surprise and engage the new audience (many of whom had never been to see any ballet or dance before), but also impress and entertain all those who had seen everything dance related. The standing ovation on both nights confirmed we had got it right.
The intimate evening of Classical, Neo-Classical and Contemporary performances featured ballet dancers from some of the world’s most revered ballet companies. Elegance, precision, and emotion crackled in the air as our two royal Danish principles, Holly Dorger and Jón Axel Fransson took to the stage for the opening piece."
World famous British dancer Xander Parish, Stutgartt Ballet’s, Mackenzie Brown (youngest dancer ever to be promoted to Principal), internationally acclaimed Lucia Lacarra and Prix de Lausanne winner Matthew Golding left no emotion untapped and the haunting choreography of Mara Galeazzi, partnered by Jason Kittleberger ensured that there was not a dry eye in the house.
The cast, all of whom are very much iconic in their own way to so many (myself included), will always have our undying gratitude for bringing everything to those two performances. I have rarely seen an audience so enraptured and entranced from the first moment to the final bow as we saw on those two nights.
When the stars align in this way, in that location, with that backdrop; it is nothing short of perfection. The Nassau community welcomed us with open arms; the warmth and generosity, their reaction to the production left the cast and myself feeling genuinely moved.”
A unique audience
“Being under the patronage of the First Lady of the Bahamas was a huge privilege and we hope this will continue. The First Lady attended for the closing night and had by, all accounts, a fabulous time. She kindly took time to come and meet the dancers post show back stage who were thrilled at how much she seemed to enjoy the show.
The First Lady of The Bahamas Mrs Anne Marie Davis posing with the technicians post show.
British High Commissioner, Tom Hartley was instrumental in the performance coming to The Bahamas and said he was left extremely proud.
“None of us could really believe this night would be as special as it was. It was beyond expectations, I think, for anyone. However much you love ballet, I think tonight was a special night. I’m so proud. The Bahamas is a very special place and you have to bring something special to really add value to The Bahamas. And I’m proud that Matt has already committed to doing it another year, next year, and I feel this really adds value to the rich culture already in The Bahamas. The British High Commission played a tiny part in that and I’m really proud to be a part of it.”
Wendy Mills, an ardent lover of ballet, spent her Valentine’s evening enjoying the performances:
“I am an avid ballet watcher. I’ve attended many ballet shows and performances all over the world. The performance was as exquisite as you can imagine. I love that it’s here at home in The Bahamas.”
From internationally renowned Golfer and Olympian Gold Medallist Justin Rose, to fans of Xander Parish, who travelled from Germany and Denmark, we were delighted by the international interest in our ‘Iconique’ performances.”
Inspiring a new generation of ballet dancers
“Covent Garden Dance Company has a ‘tradition’ of always opening up our dress rehearsals to children and students. We were not going to make an exception in The Bahamas. We were delighted to have 50 local young dancers and students from over 12 dance schools attend (a very windy) dress rehearsal. The cast were delighted to meet with the new generation of Bahamian ballet dancers and be featured on the local television news.” We can’t wait to invite more next year!
Back to the Bahamas in 2025
“We are delighted to say that Iconique 2025 Nassau has already had 55% of its tables rebooked for the 7th & 8th March. Not bad for an island who always books last minute. We are also hoping to work with a non-profit organisation to bring the show to Freeport too.
For now, it is time to turn our attention to Hatch House 2024, where we hope to enthral you all with yet another bewitching night of ballet.”
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Hatch House 2023 Programme
Our Hatch House 2023 programme is set - discover the incredible choreography and artists that await our audiences, each night from the 27th - 30th July.
PARIS OPERA BALLET
& Friends
PREMIÈRE
DELIBES SUITE
Choreography: José Martinez, Music: Richard Bonynge
Performed by: Luna Peigné and Pablo Legasa
TOUJOURS
Choreography: Mara Galeazzi, Music: Domenico Clapasson
Performed by: Mara Galeazzi and Jason Kittelberger
DON QUIXOTE
Pas de deux
Choreography: Rudolf Nureyev, Music: Ludwig Minkus
Performed by: Valentine Colasante and Guillaume Diop
FANNY ELSSLER
Pas de deux
Choreography: Pierre Lacotte, Music: Jean-Madeleine Schneitzhoeffer
Performed by: Ksenia Ovsyanick and Dinu Tamazlacaru
DEUXIÈME
ROMEO AND JULIET
Balcony Pas de deux
Choreography: Rudolf Nureyev, Music: Sergei Prokofiev
Performed by: Luna Peigné and Guillaume Diop
WITHIN THE GOLDEN HOUR
Choreography: Christopher Wheeldon, Music: Ezio Bosso
Performed by: Francesca Hayward and Marco Masciari
LA PORTE
Choreography: Maurice Béjart, Music: Pierre Henry
Performed by: Ksenia Ovsyanick
SWAN LAKE
White Swan Pas de deux
Choreography: Rudolf Nureyev, Music: Piotr Ilyich Tchaikovsky
Performed by: Myriam Ould-Braham and Mickaël Lafon
TROISIÉME
NUITS S’ACHÉVE
Choreography: Benjamin Milliepied, Music: Daniel Barenboim
Performed by: Myriam Ould-Braham and Mickaël Lafon
MORGEN
Choreography: Wayne McGregor, Music: Richard Strauss
Performed by: Francesca Hayward and Marco Masciari
LES BOURGEOIS
Choreography: Ben Van Cauwenbergh, Music: Jacques Brel
Performed by: Dinu Tamazlacaru
RENAISSANCE
Choreography: Sébastian Bertaud, Music: Felix Mendelssohn
Performed by: Valentine Colasante and Pablo Legasa
Wonderful Hatch House
Want to know more about our Hatch House ballet performances? Watch this taster video.